Sam

“I have come closer to God. Family matters have not changed much…” came the message on Whatsapp. “I have gone farther away from God. Family matters have not changed much…” the reply went. Kommt, ihr Töchter, helft mir klagen! (Come, ye daughters, help me lament!)      Johann Sebastian Bach chose to start his masterpiece ‘St. Matthew Passion’ with this apt chorus. The passion narrative from the Gospel of St. Matthew set to music calls on the one who listens to it to gaze beyond this world to the One who is the source of the celestial music and the fountain of all that is good. The grief filled notes recall the day when the sweetheart of heaven was labelled a criminal.      It is said that if ‘Bach’s St. Matthew Passion’ exists, God exists.      This piece of music that is said to give us a foretaste of the beauty of heaven begins with a lament. This is not surprising though, considering the apparent oxymoron by which history chose to call that day- ‘Good Frid

     Of all the incredible scenes in the epic-animation film ‘The Prince of Egypt’ the most remarkable scene for me is not the parting of the sea but what happens immediately after. For a few seconds everyone including Moses is shown dumbfounded. No dialogues, just open mouths. No movements, just some heavy breathing. No awesome score by Hans Zimmer, just the sound of the wind. When mere humans stand witness to the hand of the Creator, all that they can do is just look. Scripture and liturgy use one word for such moments.            Behold.           “Behold the lamb of God…” the priest proclaims. A very apt use of the word which, when uttered during mass, demands that all eyes on heaven and earth turn toward the altar. Whether one realises it or not, those few seconds that you look at Him are no different from the moment when the sea stood still. Could all the visions of the old and the new testaments put together even compare to looking Christ in the eye?            But alas!